Matthew (b. 1991) is a data scientist, information designer, electrical engineer, photographer, and musician who is interested in building communities that are more inclusive, circular, just, and resilient.
He makes abstract, beat-driven electronic music as part of the audio-visual duo Dayspired and is a current partner at Rhythm Section International (London, UK), where he is being mentored by record label founder Bradley Zero (DJ at BBC Radio 1, NTS Radio, Boiler Room).
Most recently, Matthew has pursued his MFA in Graphic Design at Rhode Island School of Design (RISD) after receiving his MS in Data Science from Brown University. He is a graduate researcher at Brown’s Human-Computer Interaction Lab, and the head teaching assistant for the class “Machine Learning and Design.” He is currently looking for engaging and rigorous full time data science, design, and systems engineering work (either remote or in-person) dealing with high-impact social or environmental problems.
Connect
Email, Resume, Music, Instagram, LinkedIn, GitHub
Client list
He has worked or collaborated with Google, Holition, Warren Alpert Medical School of Brown University, British Fashion Council, Brown University HCI Lab, and the Naval Undersea Warfare Center.
Education
Rhode Island School of Design
MFA Graphic Design, 2021
Brown University
MS Data Science, 2018
University of Massachusetts Dartmouth
BS Electrical Engineering, 2015
SPATIAL PERCUSSION THROUGH MOVEMENT
Spatial Percussion is an expressive musical composition tool which uses hand gesture to enable the real-time positioning of percussive sounds in spatial audio (ambisonics format). The project was born out of the desire to compose a spatially-located percussive beat through movement. All drum sounds were recorded manually. The project was programmed in Max/MSP.
Date: 2019
Client: Self
Class: Spatial Audio (RISD)
Collaborator: Arjun Shah
Instructor: Shawn Greenlee, PhD
Spatial Percussion is an expressive musical composition tool which uses hand gesture to enable the real-time positioning of percussive sounds in spatial audio (ambisonics format). The project was born out of the desire to compose a spatially-located percussive beat through movement. All drum sounds were recorded manually. The project was programmed in Max/MSP.
Date: 2019
Client: Self
Class: Spatial Audio (RISD)
Collaborator: Arjun Shah
Instructor: Shawn Greenlee, PhD
Data science, Sound design
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