About
01 

Open Articulations
MFA Thesis 
Rhode Island School of Design

Open Articulations proposes new strategies for mapping, archiving, and understanding territories through a practice focused on mindful presence, play, and physical immersion. In making participatory archives of our experiences, it opens a collective space for multiple voices to be heard, allowing new entrypoints into a territory, and offering new ways of understanding a place, each other, and ourselves.

︎︎︎Digital Version (PDF)

︎Participatory Design, Regenerative Design, Systems Thinking, Unsmoothing

02

Kinesthetic 
Rhode Island School of Design

︎Book Design, Photography


03

Data-driven seed sharing
SeedLinked

How can we unflatten, juxtapose, and reveal the multiple stakeholder perspectives in the agri-food supply chain to offer a more authentic experience? 

︎︎︎Digital Version (PDF)

︎Data Science, Food Systems, Innovation Design



04

Blossoming Fashion Conversation
Exhibition at Somerset House (London)
Collborated with Holition, British Fashion Council, and Google

︎︎︎Digital Version (PDF)

︎Data Science, Sustainability



05

Hungary 
Two tone, Information Design
Rhode Island School of Design

︎Book design



06

Sketchy
Creativity support tool
Brown University

︎︎︎Feature analysis (PDF)
︎︎︎Summary (PDF)

︎Computer interaction



07

Predicting Household Income In NYC
Data science project
Collaborators:  Yiwen Shen and Zhiwei Zhang
Brown University

︎︎︎Read report
︎︎︎Code on Github





SCULPTURAL AUDIO

Visualizing music through photography and paper folding. The images shown here were created using a wet paper folding technique. The paper was set overnight to dry in abstract forms, and then arranged and photographed.
        The song depicted is my own, called “It’s a Secret.” The foundation of the song revolves around a kalimba pattern that I played, manipulated, and layered with washed out, rising synth passages. The smooth, sloping forms of the paper draw attention to the music’s high dynamic range. The translucent parts of the image are evocative of the tracks lush, layered percussion. 

Date: 2019
Client: Self
Class: Graduate Form II
Instructor: Tom Wedell  
Photography